Saturday Night lead costumer designer Danny Glicker knew he had a delicate job when designing Dylan O’Brien’s short shorts for his portrayal of Dan Aykroyd, and wanted to ensure the actor had enough — ahem — “coverage” to help him feel comfortable while recreating the original 1975 sketch.
“We were very, very accurate to the original sketch. I was really hyper fixated on the original sketch and every single detail,” Glicker exclusively shared with Us Weekly. “I remember when I was cutting the vintage jeans — which always breaks my heart cutting vintage anything — we were leaving exactly enough room. We actually marked it. We did a very careful, beautifully sewn in thread line and then the fraying to make sure that they didn’t go too high or too low.”
Aykroyd’s original SNL sketch featuring the iconic denim shorts was titled “Hard Hats,” which aired during the sixth episode of the inaugural season. In the scene, a group of female construction workers, led by host Lily Tomlin, learn how to objectify a man by catcalling an actor wearing a red tank top and Daisy Dukes. The sketch was recreated in Saturday Night, which follows the 90 minutes leading up to the very first episode, and shows O’Brien — as Aykroyd — feeling less than comfortable in the revealing outfit.
Glicker, for his part, was focused on providing all the “safety” measures he possibly could to help O’Brien feel confident in real time. “I just always wanna err on the side of giving the actor every life raft they can possibly need in those moments when they’re playing someone in a vulnerable time,” he explained, revealing that the real magic came from O’Brien himself.
“The vulnerability that you’re witnessing in that sequence is just a testament to Dylan O’Brien being a marvelous actor,” he told Us.
Glicker called O’Brien the “secret ingredient” to the booty shorts — which quickly went viral online after they were showcased in some of Saturday Night’s promotional material ahead of the film’s release. Glicker added that he was actually just happy to “provide” the tools O’Brien needed to craft such a memorable performance.
“I did replicate them exactly as they were, but it’s Dylan who brought the walk, the attitude, he empowered them,” he said, calling O’Brien an “incredibly inventive actor” with a “warm heart who has a real spirit of adventure in everything he does.”
Glicker recalled working side by side with O’Brien as he attempted to channel Aykroyd as a character, telling Us that he had a series of “wonderful photos” on his wall of Aykroyd and “all the different poses” he did back in 1975.
“We would watch the sketch together,” he added. “Dylan would go through the motions of doing that real fun kind of the puffed up chest walk. And he’d walk around my office in the shorts and it was a real fun experience.”
Glicker confessed that he was “enamored” with how? “committed” O’Brien was to the bit, and although O’Brien was doubtful that he could nail the role, Glicker — who previously worked with Aykroyd on Ghostbusters Afterlife — was blown away by O’Brien’s accuracy when portraying the legendary comedian.
“When Dylan was channeling Dan, I was in the office, I was in my fitting room looking at him and saying, ‘This is correct,’” he told Us with a laugh. “He’s trying to figure it out. He is like, ‘I don’t know if it’s here.’ And I’m staring at him, like, ‘Dan Aykroyd is in this room right now, and I know that for a fact.’”
Despite instantly seeing the magic Dylan brought to the role — and in those cutoffs — the designer admitted he didn’t realize the look was going to go “viral” in the way it did.
“I mean, that image has literally existed since the ‘70s on the original [episode]. The OG Dan, who I have to say looks just as impressive in the shorts as Dylan O’Brien does,” he quipped. “Dan, you know, had quite a dashing figure himself in that sketch.”
Glicker chalks up the footage’s viral-ability to O’Brien. “The only thing that I can really embrace,” he said, ”is how marvelous Dylan is.”
Of course, O’Brien wasn’t the only cast member Glicker was in charge of dressing when it came to the ‘70s-inspired film, which also stars the likes of Cory Michael Smith, Rachel Sennott, Finn Wolfhard, Kaia Gerber, Lamorne Morris and more young A-list stars.
The Oscar-nominated costume designer — who has always been an “obsessive researcher” — told Us that to bring his vision to life, he covered his walls and hallways in popular trends from the decade, sharing that he wanted to reflect the “truth of the scrappiness of the world of Saturday Night Live” in the clothing.
“It literally looked crazy. But it made a lot of sense,” he explained. “And then, and then I got to really vibe off of the original show and to recreate the looks. So I did it in a way that I wanted to be as authentic as possible, but also give the audience that adrenaline shot of recognition.”
Glicker previously explored a different side of the mid-70’s for HBO and A24’s limited series The Sympathizer, starring Robert Downey Jr. and Hoa Xuande. When visualizing the era of bell bottoms, platforms and high-waists, Glicker said he sees the “language,” while the “specific story” becomes his “vocabulary.”
“And each story has its own vocabulary. In the case of Saturday Night, it was really important to first and foremost capture the kind of chaotic, broken down, sweaty, secondhand, filthy New York garbage strike vibe that I think that the clothes communicate,” he told Us. “We wanted it to feel like these people were really struggling and cobbling things together and not having slept for three days. I wanted to be able to smell the tobacco [on their clothes].”
Saturday Night is now playing in theaters.