How the surrealists utilised randomness as a catalyst for imaginative expression

A century ago, French writer and poet André Breton penned his “Manifesto of Surrealism,” which launched an artwork movement identified for making bizarre hybrids of phrases and photos.

These juxtapositions, generally generated by probability, had been thought to stimulate the unconscious mind to cultivate new insights.

Guy Ray’s puzzling images of out-of-emphasis collages or Salvador Dalí’s jarring paintings of melting clocks and elongated elephants had been usual of the type.

As I element in my book “The Random Aspect,” a lot of existence is affected by randomness – from natural evolution to the selection of friends and spouses. The surrealists, far too, designed randomness a cornerstone of their artistic exercise.

Manifestations of the great

In 1928, the artist Otto Umbehr, acknowledged only as Umbo, snapped a image from his window that randomly captured the road scene beneath.

The energy of the graphic – “Mystery of the Street” – arrives not from its written content but from its orientation. When Umbo designed the photograph, he resolved to invert it. The end result is an regular graphic of individuals but with their elongated shadows having on a startling everyday living of their personal.

As contemporary photographer Sandrine Hermand-Grisel writes, “The surrealists query the documentary worth of images. They understand its capability to capture the manifestations of the great that can take place at random.”

Surrealist painter Max Ernst frequently utilized the approach of “decalcomania,” which included applying a layer of paint to a floor, these kinds of as glass, and then transferring the damp paint straight on to the canvas. Some of the paint would stick – some of it would not. No subject: Ernst would build off the random patterns and textures to produce the painting.

Max Ernst’s 1940 portray ‘Solitary and Conjugal Trees’ used the strategy of decalcomania.
Museo Nacional Thyssen-Bornemisza

Out of quite a few, 1

Yet another surrealist apply involving randomness came to be regarded as the “exquisite corpse.”

The earliest variation of the collaborative work out concerned gathering a compact group of pals and dividing a sentence into several sections of speech, these kinds of as nouns, verbs, adjectives, adverbs and so on. Every part of the sentence would be assigned to a single individual. The initial person would publish down a word for their component of the sentence, fold the paper around and hand it to the following individual. The next particular person would then pick out their term, not knowing what the very first man or woman had composed down, and move the creating sentence on to the following individual.

In this way, the sentence would be composed as it traveled about the home with no any person knowing what the sentence looked like right until it was done and somebody unfolded the paper.

The system effects in sentences that people wouldn’t concoct on their very own.
According to legend, the initial sentence created by André Breton and his fellow surrealists read through, “The exquisite corpse shall drink the new wine.”

Black and white photo of a group of six young men and one woman.
A photograph by Person Ray of a group of surrealists conversing. André Breton is seated on the much remaining.
Image12/UIG through Getty Images

Random by design and style

The principle of the exquisite corpse has been applied to other imaginative ventures.

The Blackwing 602, manufactured by the Eberhard Faber Pencil Company, is a single of the most iconic pencils of the 20th century. Pitched with the tagline “Half the Pressure, Two times the Pace,” it grew to become identified for the good quality of its graphite and its exceptional, rectangular eraser.

The Blackwing was a beloved of numerous writers and artists, such as John Steinbeck, Leonard Bernstein and animator Chuck Jones of “Looney Tunes” fame. But Eberhard discontinued the Blackwing pencil in the 1990s.

Fast-ahead to 2010. The California Cedar Goods Corporation reintroduced the Blackwing 602. In March 2018, the company created a constrained version Blackwing pencil to commemorate the surrealists by making use of the training of the exquisite corpse to manner a new pencil.

They divided the areas of the pencil into five sections: graphite, barrel, imprint, ferule and eraser. The to start with particular person of the layout team selected the graphite. The next human being, who was unaware of the very first person’s decision, built the barrel, and so on.

The final result was a breathtaking pencil – one of my favorites – that would have by no means existed ended up it not for a willingness to surrender to randomization.

The pencil has a rose-colored barrel with teal imprint, a silver ferule, a blue eraser and additional-business graphite. The firm dubbed it the Blackwing Volume 54 in honor of 54 Rue du Chateau in Paris, the tackle for the home where that quite initially exquisite corpse training took position.

A leap of faith

Musicians, filmmakers and graphic designers also incorporate randomness into their perform. The composer John Cage typically utilized randomness and likelihood in his compositions. In a single piece, a pianist sits silently for 4 minutes and 33 seconds, compelling the audience to knowledge the random coughs and rustling in the home.

In his “Imaginary Landscape” series, random factors manufactured by energy are portion of the effectiveness for occasion, throughout one efficiency, Cage placed 12 radios on the phase, every single tuned to a unique station, and performed them simultaneously. In describing this method, Cage wrote, “Chance, to be specific, is a leap, provides a leap out of access of one’s have grasp of oneself.”

As museums all over the environment rejoice the centennial of the start of surrealism, it’s essential to recognize that embracing randomness authorized these artists to consider outside the box. The use of chance as a instrument of creative imagination carries on to this working day, providing a supporting – and stunning – hand, taking artist and viewers to places heretofore mysterious.